The film embraces a dreamlike quality, interweaving soft hues and breathtaking cinematography with a heartfelt soundtrack that echoes the emotions of love and longing. The film's tone balances romance with moments of introspection, allowing audiences to reflect on the beauty of connection and the complexity of cultural exchange. As the landscapes shift from vibrant urban scenes to tranquil natural vistas, they mirror Aron and Mya's evolving relationship, resonating with themes of love, growth, and self-discovery. set against the backdrop of Vietnam's stunning landscapes—from the serene rice paddies of Sapa to the lush jungles of the Central Highlands.

The Last Room in Hanoi is not just a love story; it’s a poignant exploration of identity and the transformative power of travel, leaving viewers with a sense of hope and an appreciation for the beauty found in different cultures.

WHY VIETNAM 

Vietnam is a country without a fundamental centre, a ruptured mobile state where images, time, space, characters and stories fold and weave upon each other with no real certainty and always ready to vanish from our gaze.

Vietnam in ‘The Last Room in Hanoi’ is the common bond between the two, constantly depicting an irony. The large cities, home to so many, and at the same time the vistas of the north feel so lonely. The visual fabric of time has more to do with affect memory displacement. It is about seeing as well as not seeing, appearance, disappearance.

Films like ‘The Last Room in Hanoi’ wouldn’t be this way if it wasn’t for the space in which they are made. And Vietnam is a visceral space. It’s a light space - it’s a space of energy - this is electric - it’s the way the people move -  it’s the energy of Vietnam. It’s the excitement of the encounter on the street.

 It’s a garish, exuberant possibly empty world. This is what the landscapes represent and our characters in ‘The Last Mermaid ‘are in the very heart of this world.

THE TEAM

COZ GREENOP - PRODUCER/DIRECTOR

As a film producer, writer and director Coz has been working in the film industry for almost 20 years. From shooting and directing high end viral campaigns, tv commercials, music videos, short films and producing and directing 5 independent feature films, selling to over 30 terretories around the world and even getting a number 1 film on Amazon Prime UK with his 4th feature film ‘The Last Heist’

He has won over 25 Best film and Director awards from around the world including BAFTA and Oscar qualifying festivals.

JULIAN WINDING - COMPOSER

Julian Winding is a Danish musician and composer, however based in Berlin at the moment. He is the writer of the dark and immensely thrilling track The Demon Dance from the ultra stylized horror film The Neon Demon as well as colaborating on many other films like Only God Forgives and Copenhagen Cowboy.

Green13 Films is an award-winning independent film production company based in Leeds and London. Founded in 2013 Green13 have financed and produced 5 feature films and several short films raising nearly £2.5million in equity.

Green13 has an established direct relationships and output deals across all media including cinema, physical with supermarkets and digital where we regularly provide content to the major streamers.

We have links with major studios and distributors: Lionsgate, Universal, MGM, Amazon Studios, Netflix, Sky, Signature Entertainment, eOne Entertainment.

GOALS

Filming was completed in April 2025 and we are now looking for the final finance to complete the film. The funds will go on every aspect of Post Production from the edit, grade, score and VFX. 

We aim to have the final film completed by December 2025 with plans to take the film to AFM (American Film Market) where we plan to sell the film before we hit the festival circuit in Jan 2026.