Annoying Blonde Americans is a satirical, heartfelt exploration of identity, culture clash, and womanhood, viewed through the lens of two unapologetically chaotic American cousins, Cam & Lana, who are thrown into the emotional minefield of London life. Sophie & Aria, our American actor/writers met British born Joy (Director) & Holly (Producer) whilst all four read for their MAs at MetFilm School.
POPCORN is a dramedy dedicated to crew, cast, producers and filmmakers... is a story about rejection, craft, tenacity, creativity and the realities of being an artist trying to find a stage and a life in the immensity of London. Directed by Katie Swain (Masters of the Universe, Gladiator II, Little Britain) and POPCORN will make you cringe, cry and laugh out loud.
The Hidden Law of Gravity is the story of two young men, Harry and Ollie, who grew up in a rural English town. When they were seventeen, they shared an intimate moment. Harry soon left for a life in London, and Ollie stayed. The film takes place a few years later, when Harry returns. Set over one night, at the local, we see how their relationship with acceptance has quietly diverged.
Directing and starring: Lawson Vienneau as Robert With: Zachary Pang as Chen The Year of the Ox is a short drama about two half brothers meeting for the first time after the death of their father. It explores Asian heritage, and the long shadow of familial trauma. It's a story about the conversations that many of us never get to have and the emotional weight passed through generations.
The Sound Of A Tree Falling is a Taiwan–UK short film to be shot in April 2026 on 16mm film. It follows two friends traveling into the mountains trying to find the grave of their friend. As they walk, humor and casual conversation mask their grief while they struggle to confront loss and say goodbye.
Annoying Blonde Americans
POPCORN one kernel at a time
The Hidden Law Of Gravity
The Year of the Ox
The Sound Of A Tree Falling
A short about caring, memory and wearing your personal crown.
Cast: Jane Asher, Nancy Carroll & Nathanael Saleh
Director: Riley Rheyan
Writer: V.C. Lennox
Producers: Lara Kozah & V.C. Lennox
When dementia-affected Margaret disrupts daughter Lyn’s life, King Charles proves an effective babysitter. But as reality fractures, Lyn must learn to value Margaret's eccentric new obsession.
Sailor is a five minute short film told through lyrical imagery and poetic narration. Sailor follows THE SIREN, a woman navigating the emotional wreckage of a relationship with THE SAILOR, a man consumed by sorrow.
Written & Directed by Niamh Handley-Vaughan
Cinematography by Richard O'Hare
Starring Nadia Lamin
Music Composition by Stacey Doherty
Ever wondered what the person next to you is thinking? Silly question. Of course you have! Join me, Arthur, as I delve through the depths of an ordinary person’s mind.
With balloons and a healthy dose of violent language, we’ll explore the consequences of trauma in a surreal drama that will shift your concept of normality.
The Spiral is a drama short film that focuses on a couple who argue over their choice of film for a movie night at home. Their indecision leads to arguing which dissolves into full blown anarchy as both partners bring up old and new problems, exposing the cracks and ensuring the relationship will never remain the same.
A two-faced Jester puts everything on the line in a desperate attempt to subvert the monarchy, including those closest to him & the bridge city he calls home. Londinium is a warning about greed, a plea for kindness, asking us how much we would sacrifice for fame & respect and if there are things we can never come back from. Written by Layla Blackson & Archie Carr, two London based film students.
SPUDS is a 10-minute short film following Dave and Greg — two bumbling, anthropomorphic potatoes trying (and failing) to integrate into human society.
We’ve already shot the film — with a cast of 7 and a 20-person crew, but need to raise funds for post production and distribution.
Duvet is a short horror film about a woman trying to leave a coercive relationship. It was funded by The Big House, a theatre charity that works with care leavers. Their members were part of the commissioning, development and casting processes. The film is complete, but we need to raise funds in order to take it to festivals, reaching a wider audience for the issue, the team and the charity.
